“Beautiful sound and unerring musical sense”
Sound Board Magazine, USA
Sound Board Magazine, USA
Denis Azabagic (Bosnia and Herzegovina), is one of the most compelling classical guitarists on the international concert circuit today. He performs concerts around the globe, maintaining a balance between his solo recitals, chamber music with the Cavatina Duo, and engagements as soloist with orchestras.
Critics are raving:
“The recital by Bosnian guitarist Denis Azabagic, was certainly the finest guitar recital that I have heard in a lifetime of concert-going, and one of the best concerts of any kind I have heard”
NC Arts Journal
“...And once he started playing his guitar he became ageless. One couldn't imagine where the man, the instrument and the music separated, if at all.”
Los Angeles Valley Star
“Azabagic’s playing is virtually flawless and his technical facility is a joy to see as well as hear; increasingly I hear him mentioned in the same breath as John Williams, and while such comparisons are invidious, this one is not without merit”
Soundboard Magazine, USA
Azabagic’s flawless performances have set a standard for the new generation of guitar players. He has won twenty-four prizes in international competitions and Mel Bay has published a book based on his experience and insights on the subject of competitions.
Azabagic has recorded 12 CDs for international labels such as Naxos, Cedille, Opera Tres, Bridge records and Orobroy, as well as two DVDs for the Mel Bay Company. His recordings and live performances are highly praised by music critics, for his elegant approach to music and his unique way of communicating and reaching the audiences’ hearts.
As a guest instrumentalist and soloist Azabagic has appeared with the Chicago Symphony, Chicago Sinfonietta, Tallahassee Symphony, Illinois Symphony, Sacramento Chamber Orchestra, Madrid Symphony, Traverse Symphony, Monterrey Symphony, L’Orchestre Royal de Chambre de Mons, among many others. He has also collaborated with the Casals Quartet, Civitas Ensemble and the ensemble Music Now .
Azabagic has performed at such venues as Chicago’s Symphony Center; the Royal Concertgebouw in Amsterdam; Radio France in Paris; Aix-en-Provence Festival; El Palau de la Musica in Valencia, Spain; Savannah on Stage; Omni Foundation (San Francisco); Ravinia Festival; National Chang Kai Shek Cultural Center, Taiwan; and the the National Center for the Performing Arts in Beijing, China. Azabagic’s performances have been broadcast live on NPR and WFMT radio, and on television in Asia, Europe and the United States.
His repertoire includes solo and orchestral music from the Baroque era to the present. As half of the active Cavatina Duo (with Eugenia Moliner, flute), he has performed a vast repertoire including many works written expressly for the duo. His chamber music activity is expanded with recently formed quartet Fandango!.
Azabagic’s love for performing extends to sharing with others his knowledge of music making. He frequently offers master classes while on tour, teaches at the University of Illinois and is the head of the Guitar Department at Roosevelt University in Chicago.
Highlights of his upcoming season include concerts tours in the US, Canada, Spain, Denmark, etc…With the Cavatina Duo he has released a new CD entitled the Sephardic Journey, featuring new commissioned music based on old Sephardic melodies.
Denis Azabagic uses D'Addario strings.
Download Bio
Critics are raving:
“The recital by Bosnian guitarist Denis Azabagic, was certainly the finest guitar recital that I have heard in a lifetime of concert-going, and one of the best concerts of any kind I have heard”
NC Arts Journal
“...And once he started playing his guitar he became ageless. One couldn't imagine where the man, the instrument and the music separated, if at all.”
Los Angeles Valley Star
“Azabagic’s playing is virtually flawless and his technical facility is a joy to see as well as hear; increasingly I hear him mentioned in the same breath as John Williams, and while such comparisons are invidious, this one is not without merit”
Soundboard Magazine, USA
Azabagic’s flawless performances have set a standard for the new generation of guitar players. He has won twenty-four prizes in international competitions and Mel Bay has published a book based on his experience and insights on the subject of competitions.
Azabagic has recorded 12 CDs for international labels such as Naxos, Cedille, Opera Tres, Bridge records and Orobroy, as well as two DVDs for the Mel Bay Company. His recordings and live performances are highly praised by music critics, for his elegant approach to music and his unique way of communicating and reaching the audiences’ hearts.
As a guest instrumentalist and soloist Azabagic has appeared with the Chicago Symphony, Chicago Sinfonietta, Tallahassee Symphony, Illinois Symphony, Sacramento Chamber Orchestra, Madrid Symphony, Traverse Symphony, Monterrey Symphony, L’Orchestre Royal de Chambre de Mons, among many others. He has also collaborated with the Casals Quartet, Civitas Ensemble and the ensemble Music Now .
Azabagic has performed at such venues as Chicago’s Symphony Center; the Royal Concertgebouw in Amsterdam; Radio France in Paris; Aix-en-Provence Festival; El Palau de la Musica in Valencia, Spain; Savannah on Stage; Omni Foundation (San Francisco); Ravinia Festival; National Chang Kai Shek Cultural Center, Taiwan; and the the National Center for the Performing Arts in Beijing, China. Azabagic’s performances have been broadcast live on NPR and WFMT radio, and on television in Asia, Europe and the United States.
His repertoire includes solo and orchestral music from the Baroque era to the present. As half of the active Cavatina Duo (with Eugenia Moliner, flute), he has performed a vast repertoire including many works written expressly for the duo. His chamber music activity is expanded with recently formed quartet Fandango!.
Azabagic’s love for performing extends to sharing with others his knowledge of music making. He frequently offers master classes while on tour, teaches at the University of Illinois and is the head of the Guitar Department at Roosevelt University in Chicago.
Highlights of his upcoming season include concerts tours in the US, Canada, Spain, Denmark, etc…With the Cavatina Duo he has released a new CD entitled the Sephardic Journey, featuring new commissioned music based on old Sephardic melodies.
Denis Azabagic uses D'Addario strings.
Download Bio
"Denis Azabagic demonstrated his unbelievable guitar playing skills, sincere love to music, professionalism and passion…"
Chicagotribune.com
“...And once he started playing his guitar he became ageless. One couldn't imagine where the man, the instrument and the music separated, if at all.”
Los Angeles Valley Star, USA
“Azabagic played Aranjuez as if he owned it...the duet between guitar and English horn melted every one of the 1200 hearts in the audience.”
The Morning Call, USA
“Azabagic shows a particularly balanced combination of perfect technique and mature musicality... Incredible virtuoso music with all kinds of technical difficulties was played perfectly”
Dagblad van het Oosten, Netherlands
”He has a dazzling technique and possesses an enormous interpretative sensibility”
Ritmo, Spain
“He is a virtuoso artist of timbres, who masters, as it seems, easily all kind of expressions: from enchanting softness to passion, from deep emotions to enormous joy”
Kolnische Zeitung, Germany
“The sound was glorious, he is a superb technician. The brilliance of Azabagic’s playing brought an easy grace to the music”
The Herald Times, USA
“...Master of sweet tones…...Magician of expression”
Kolnische Zeitung, Germany
“As always, Azabagic’s playing is clean smooth, and effortlessly musical.”
American Record Guide
“Azabagic was playing with four hands, not just two”
Los Angeles Valley Star, USA
“Impeccable technique and lautustic sonority...”
El Pais, Spain
“Denis Azabagic's playing is of the highest caliber.”
MW-Classical music on the web
“Expertly played”
American Record Guide
“Beautiful sound and unerring musical sense”
Sound Board Magazine, USA
“Azabagic’s vivid, imaginative account gathered up every surge and whisper of the musical narrative, giving fresh impact to an old story, and underscoring what a fine piece of music this is. Azabagic’s extraordinary way with the shading of light and color was further evident in Rodrigo’s Invocación y Danza. I still cannot quite believe that such flawless execution is possible on the guitar. But I was there, and I heard it. Amazing! ”
Sound Board Magazine, USA
“His playing blends structural awareness with melodic fluency, marvelous tone”
American Record Guide
“…recital by Bosnian guitarist (now based in Chicago) Denis Azabagic was certainly the finest guitar recital that I have heard in a lifetime of concert-going, and one of the best concerts of any kind I have heard since writing for CVNC…the notes of the five preludes by Villa-Lobos with which Azabagic opened the program were perfectly clear, and all the detail registered eight rows back. From the outset it was obvious that Azabagic is gifted with a level of technical mastery that is rarely heard on the guitar, with every note precisely articulated. Not only does Azabagic make expressive use of a broad range of dynamics, from fortissimo to visible, but not audible, but the gamut of tone color with which he shapes the music is impressive. Most importantly, all these technical chops (which would put him in the crème de la crème already) are in the service of a keen musical intelligence with taste and soul.”
Tom Moore, CVNC Online Publications, Inc.
“It is apparently hard to rattle Denis Azabagic…
In his recital at the Kimbell Art Museum’s Renzo Piano Pavilion on Thursday night, the Bosnian classical guitarist showed that he is not easily intimidated by even the most daunting of scores …All works were performed with technical excellence burnished with a real verve and obvious joy in playing. The standout work of the night was Out of Africa, a charming suite by Atlanta-born composer Alan Thomas. Inspired by the book by Karen Blixen and its film version, the five-movement work displayed a wide range of winning personalities.”
Punch Shaw, special to DFW.com
“If you had the misfortune to miss Thursday’s recital by Bosnian guitarist Denis Azabagic, I suggest you make every effort to hear him play the next time he’s in town. Azabagic’s stage presence is charming and charismatic, and that charisma comes through in his playing, and combines with technical prowess, musicality, and programming diversity to create one of the best classical guitar performances I’ve ever heard…
Alan Thomas’s Out of Africa, inspired, according to Azabagic’s onstage remarks, by Karen Blixen’s novel and the subsequent film, was utterly transfixing. The five-movement work required both technical facility and musicality, which Azabagic offered in abundance. His technique surpasses the traditional, and includes bold novelty techniques. The piece showcased the full range of the guitar’s, and by extension Azabagic’s, abilities, alternating between moments of fast-paced virtuosity and lyric beauty. I don’t think I’ve ever heard a guitarist with a more sumptuous tone in the lyrical passages.”
J. Robin Coffelt fot Theatre Jones
"… music lovers made their snow-covered way to Symphony Hall Saturday evening, seeking and finding warmth in the fiery rasp and passionate rustle of Spanish guitar, superbly played by Springfield Symphony Orchestra guest artist Denis Azabagic.... the featured work was one of the most famous and well-loved pieces in the guitar repertoire, Joaquin Rodrigo's "Concierto de Aranjuez." Azabagic delivered a stunning performance, both technically brilliant and emotionally profound, and was hailed by an immediate standing ovation.
His playing was nimble and clean in the outer Allegros, pearly-toned and vibrant in the melancholy Adagio…Azabagic also played Vivaldi's Concerto in D Major, RV 93, …like the Rodrigo, the Vivaldi offered a soulful slow movement...Throughout the evening, Azabagic consistently exhibited the character and mastery that have earned him accolades as the finest classical guitarist of his generation."
Clifton Noble Jr. | Special to The Republican ,Springfield, MA
Download Reviews
Chicagotribune.com
“...And once he started playing his guitar he became ageless. One couldn't imagine where the man, the instrument and the music separated, if at all.”
Los Angeles Valley Star, USA
“Azabagic played Aranjuez as if he owned it...the duet between guitar and English horn melted every one of the 1200 hearts in the audience.”
The Morning Call, USA
“Azabagic shows a particularly balanced combination of perfect technique and mature musicality... Incredible virtuoso music with all kinds of technical difficulties was played perfectly”
Dagblad van het Oosten, Netherlands
”He has a dazzling technique and possesses an enormous interpretative sensibility”
Ritmo, Spain
“He is a virtuoso artist of timbres, who masters, as it seems, easily all kind of expressions: from enchanting softness to passion, from deep emotions to enormous joy”
Kolnische Zeitung, Germany
“The sound was glorious, he is a superb technician. The brilliance of Azabagic’s playing brought an easy grace to the music”
The Herald Times, USA
“...Master of sweet tones…...Magician of expression”
Kolnische Zeitung, Germany
“As always, Azabagic’s playing is clean smooth, and effortlessly musical.”
American Record Guide
“Azabagic was playing with four hands, not just two”
Los Angeles Valley Star, USA
“Impeccable technique and lautustic sonority...”
El Pais, Spain
“Denis Azabagic's playing is of the highest caliber.”
MW-Classical music on the web
“Expertly played”
American Record Guide
“Beautiful sound and unerring musical sense”
Sound Board Magazine, USA
“Azabagic’s vivid, imaginative account gathered up every surge and whisper of the musical narrative, giving fresh impact to an old story, and underscoring what a fine piece of music this is. Azabagic’s extraordinary way with the shading of light and color was further evident in Rodrigo’s Invocación y Danza. I still cannot quite believe that such flawless execution is possible on the guitar. But I was there, and I heard it. Amazing! ”
Sound Board Magazine, USA
“His playing blends structural awareness with melodic fluency, marvelous tone”
American Record Guide
“…recital by Bosnian guitarist (now based in Chicago) Denis Azabagic was certainly the finest guitar recital that I have heard in a lifetime of concert-going, and one of the best concerts of any kind I have heard since writing for CVNC…the notes of the five preludes by Villa-Lobos with which Azabagic opened the program were perfectly clear, and all the detail registered eight rows back. From the outset it was obvious that Azabagic is gifted with a level of technical mastery that is rarely heard on the guitar, with every note precisely articulated. Not only does Azabagic make expressive use of a broad range of dynamics, from fortissimo to visible, but not audible, but the gamut of tone color with which he shapes the music is impressive. Most importantly, all these technical chops (which would put him in the crème de la crème already) are in the service of a keen musical intelligence with taste and soul.”
Tom Moore, CVNC Online Publications, Inc.
“It is apparently hard to rattle Denis Azabagic…
In his recital at the Kimbell Art Museum’s Renzo Piano Pavilion on Thursday night, the Bosnian classical guitarist showed that he is not easily intimidated by even the most daunting of scores …All works were performed with technical excellence burnished with a real verve and obvious joy in playing. The standout work of the night was Out of Africa, a charming suite by Atlanta-born composer Alan Thomas. Inspired by the book by Karen Blixen and its film version, the five-movement work displayed a wide range of winning personalities.”
Punch Shaw, special to DFW.com
“If you had the misfortune to miss Thursday’s recital by Bosnian guitarist Denis Azabagic, I suggest you make every effort to hear him play the next time he’s in town. Azabagic’s stage presence is charming and charismatic, and that charisma comes through in his playing, and combines with technical prowess, musicality, and programming diversity to create one of the best classical guitar performances I’ve ever heard…
Alan Thomas’s Out of Africa, inspired, according to Azabagic’s onstage remarks, by Karen Blixen’s novel and the subsequent film, was utterly transfixing. The five-movement work required both technical facility and musicality, which Azabagic offered in abundance. His technique surpasses the traditional, and includes bold novelty techniques. The piece showcased the full range of the guitar’s, and by extension Azabagic’s, abilities, alternating between moments of fast-paced virtuosity and lyric beauty. I don’t think I’ve ever heard a guitarist with a more sumptuous tone in the lyrical passages.”
J. Robin Coffelt fot Theatre Jones
"… music lovers made their snow-covered way to Symphony Hall Saturday evening, seeking and finding warmth in the fiery rasp and passionate rustle of Spanish guitar, superbly played by Springfield Symphony Orchestra guest artist Denis Azabagic.... the featured work was one of the most famous and well-loved pieces in the guitar repertoire, Joaquin Rodrigo's "Concierto de Aranjuez." Azabagic delivered a stunning performance, both technically brilliant and emotionally profound, and was hailed by an immediate standing ovation.
His playing was nimble and clean in the outer Allegros, pearly-toned and vibrant in the melancholy Adagio…Azabagic also played Vivaldi's Concerto in D Major, RV 93, …like the Rodrigo, the Vivaldi offered a soulful slow movement...Throughout the evening, Azabagic consistently exhibited the character and mastery that have earned him accolades as the finest classical guitarist of his generation."
Clifton Noble Jr. | Special to The Republican ,Springfield, MA
Download Reviews
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
CLASSICAL GUITAR MAGAZINE (VOL/YEAR: October 2004)
www.classicalguitarmagazine.com
Interview by COLIN COOPER
CC: You have written a book about competitions (Mel Bay Inc.), designed to help young guitarists. Can you say something about the main faults which can hold them up?
DA: Many of them have real musical talent, and there seems no reason why they should not win a competition and so give themselves a good start in their career. Well, the reason I wrote that book for Mel Bay was that I was asked so many times about my experiences in the competitions. Now, I think that in order to win a competition one needs to be very well prepared, and that is a complex process. I cannot really pinpoint the main reason that would enable a young guitarist to win. I feel rather that it is a more of a personal question for everyone. Every passing day I feel that to perform a piece of music very well, one must have a solid technique, but also a very good understanding of the music, from the mental and analytical perspective as well as from the artistic/imaginative and inspirational point of view...read more...
www.classicalguitarmagazine.com
Interview by COLIN COOPER
CC: You have written a book about competitions (Mel Bay Inc.), designed to help young guitarists. Can you say something about the main faults which can hold them up?
DA: Many of them have real musical talent, and there seems no reason why they should not win a competition and so give themselves a good start in their career. Well, the reason I wrote that book for Mel Bay was that I was asked so many times about my experiences in the competitions. Now, I think that in order to win a competition one needs to be very well prepared, and that is a complex process. I cannot really pinpoint the main reason that would enable a young guitarist to win. I feel rather that it is a more of a personal question for everyone. Every passing day I feel that to perform a piece of music very well, one must have a solid technique, but also a very good understanding of the music, from the mental and analytical perspective as well as from the artistic/imaginative and inspirational point of view...read more...
|
GUITARISSIMO
ww.guitarrisimo.com/ Interview by MICHAEL NEUMANN Guitarrisimo: What do you like more at this moment, to play solo or with your duo? Denis Azabagic: This is like asking which one of your two children you like more... There is not one I like more, they are a little different and yet the same. It is the same in the way that I get to play music, no matter in which combination. Playing solo I can perhaps dwell more easily in spheres outside the conscious mind, but with the duo it is really great to play with another person and adapt music and sound as a connection and a bond. There is something really special about that. Also, it is easier to share the pressure of the performance sometimes. It is great, on a personal note, that I get to do this with the person I love....read more... |
|
|
|
© COPYRIGHT 2015. ALL RIGHTS RESERVED.